Regarding the use of the 250e module in this composition, I used only one simple patch to produce about 10 different sounds. The very first sound, which is heard three times throughout the duration of the piece, is the only one which is not manipulated in some way by the 250e. Basically my process was to set the 250e to loop from 1 to 5 always. Then using the controls for the voltage output I used the CV output 1 in order to modulate the pitch, morph and warp of the 259e in various way, both in combination and independently. I also used the 250e to send CV and pulses out to the 292C with the sound source from the 259e being filtered by the 291e, and run into the 292C.