What’s in a Name?

The premiere recording at University of Iowa on September 10, 2023.

Most of my recent compositions have been composed using the names of the performers for whom the piece was written as seeds for the basic materials. While composing What’s in a Name? I was reflecting on the fact that all of the “name compositions” before this piece are solo works. I found that working with… Continue reading What’s in a Name?

Electric Dreamscape no. 3

The premiere recording featuring Matt Mason (Piano) at the University of Iowa on May 3rd, 2023

In this piece I am beginning to explore generative musical forms. I wrote 25 fragments of music using a five note pitch-class set derived from the name Matt Mason, the performer for whom this work is composed. (The set is [0 1 2 6 7]). These 25 fragments are separated into five “primary moment groups”.… Continue reading Electric Dreamscape no. 3

Fanfare • Phantom • Architect

The premiere recording at the University of Iowa on October 30 2022

I originally intended for this piece to be a trio for Horn, Cello, and Piano (essentially a horn trio with cello instead of violin). In studying some of the standard horn trios I became enamored with a brief passage in the third movement of Brahm’s Horn Trio in E-Flat Major. Having studied the Bach library… Continue reading Fanfare • Phantom • Architect

Tears – A setting of Text by Allen Ginsberg

When I was a teenager my father, perhaps to his regret, introduced me to the writings of the so-called “beat generation” authors. I quickly developed a fascination and admiration for their work. The text for this piece, Tears, is a 1956 poem by Allen Ginsberg. I found the poem to be extremely evocative for a… Continue reading Tears – A setting of Text by Allen Ginsberg